.
Falling is truly quite akin to love,
A velvet hand inside an iron glove,
It is like rain coming down from above
Onto pages the poets lacks thereof.
.
Falling in less than 40 words.
.
Falling is truly quite akin to love,
A velvet hand inside an iron glove,
It is like rain coming down from above
Onto pages the poets lacks thereof.
.
Falling in less than 40 words.
.
So much to say, so little time.
.
Oh friend there is so much that still needs to be said,
A thousand metaphors which I still long to craft
A hundred unfinished creatures remain in draft
Or a thousand more rhymes that have yet to be wed,
Nonetheless I can feel the end of an epoch,
That which has come to be the golden age of mind,
The purpose of a year, the goal of this long walk,
And a silver-lined tongue which I shall leave behind;
So many failures met, so many lessons taught,
How I feared once before that all might be for naught,
But my dreads have been quelled as over those long hours
I have grown and become a true man, a poet,
– Or at least ’tis my hope – one that never cowers
From sadness and who might somehow grace bestow it.
.
Hour 11.
The End.
.
In a dim, faithless church
Among faceless statues
Of wet salt and brimstone
Where no halt is welcome
And straight columns of air
By the great organ built,
Such lonely, kind giants,
Are the only guarants
That its order lives on
Is preached another verse
Of silence and iron,
The balance of its words
Is reached when the bell tolls
And the border of truth
Swallows bits of old sins
Full of fits of dark rage,
And the gospel repeats
In an endless canon
As an old spell slithers
– Sorceress in her keep -,
Not even the light words
However, be it said,
Above the arched entrance
To heaven on the earth
In fever long written
Shall march demons away:
Blasphemy in the font
For forces are at work,
Alchemy is at play,
When corpses march again.
.
Hour 10.
Completely out of nowhere but still cooler than I expected.
Might need to be reworked.
.
I would say so much more
For I still have in store
Three quarters of the lore
Burning bright at my core,
And despite being hoar
My spirit still does soar
Away to distant shore,
Though faced with this white door
It knows no anymore,
Should it cross and explore,
Walk upon this cold floor?
Or should it keep in store
What was mentioned afor?
I tell through every pore
But I wish not to sore
Neither to be a bore
So I’ll just end before…
.
Hour 9.
Clearly not my best work, but a produce of my work nonetheless. The theme was ‘cut short’.
.
Strings upon strings, the violin weeps
The dim story of the young woman,
In the distance the car engine seeps
Into stone, into wind, into Man,
The lullaby of night takes over
As a chorus of stars joins the moon
Singing a song even the clover
Is powerless to keep out of tune,
Under this ages olden chapel
Where the great organ of life has played
Ever since life bit in the apple
Is where hopes and dreams are neatly laid,
Oh but the notes on the music sheet
Dance a passionate swinging quick step
That a mortal may never quite meet
Without at least one or ten misstep,
All the tinker-tatter of the room
Echoes away in shades of silver,
And there, in the middle, sits the groom,
Voice strong hours before, now a sliver…
.
Hour 8.
Take away what you will, I will read into it here.
.
Roses are red
Violets are blue
I somehow dread
No more I love you…
.
Hour 7.
The last verse gave me a headache because it is so much easier to express in French in a shorter and more concise and grammatically correct way… But in the end I kept it that way because it held a double-entendre that I quite enjoy.
.
Looking towards the East, land of the rising sun,
I try to remember where I could have begun…
I imagine myself twisting word into pun
And, with a newborn’s heart, strolling this land of fun;
I reflect on those days of careful innocence
And contemplate the ways, the long ways I have come,
It feels quite like I near a haven in a sense,
Like I’m turning into whom I wished to become?
Now it is not to say that I feel I am done,
There exists challenges which have yet to be won,
Poetry shall remain the barrel of my gun
But I am not walking anymore. No, I run!
.
Hour 6.
.
“I’m sorry I can’t resist,”
Says the young amorous man,
“So sorry, I can’t desist
Those feelings are now helmsman
Of my soul and my body
And as they steer my spirit,
As they tear, tear by tear, it
Feels as if the great Gaudi
Himself has, out of pure haze,
Designed this wonderous maze
Into which looking feels right
Where he trapped your profound gaze
And a thousand and one star
Into an ever deep night,
For the more I move afar
The sharper is the altar
Upon which in another
Life we swore, we, together,
To the last word from the first
That for better or for worst
We would keep the flame alight,
That we wouldn’t let it die,
But alas we came to fight,
Produced one too many sigh
Leading to a cold goodbye,
Oh! See you how we’ve lost sight,
How we gave in to the lie?!
Have we made it to this height
Only to forget to fly?
These are but children of fright!
Please give us another try…”
.
Hour 5.
.
Her teeth are pearly white
And her lips seem so full
Always when up they pull
Into a smile as bright
As her deep eyes are dull,
A truly awesome sight
Of raw, beautiful fright,
She will slow sweetly lull
And embrace ever tight
The mast, the keel, the hull,
This lady of the night
And her soft, polished skull.
.
Hour 4.
When Ms. D. comes knocking at your door…
.
If you had a machine that could travel the skies,
Imagine that machine could take you high and far,
If this machine could bring you all the way to me
But also bring you back to when nothing was young,
If you could earn lyrics for your unending song
And if it did all that as easy as hello,
If you could repair hearts with one too many tries,
If you could see it all from the bright of your star
And never once again fear to simply flee,
If you could teach others how to be good and bold
But never so foolish to forget kind and wrong,
Swear to me, swear truly, that you would want to go…
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Hour 3.